Speech Acts: Richard Grayson and Matt Mullican illuminates the video-based practices of these two internationally acclaimed artists, who use the format of the monologue to construct and narrate hypothetical worlds.
British artist Richard Grayson imbues vernacular culture with a sense of classicism, extracting layers of meaning from an array of subject matter, including scientific explanations, flash-mob videos, dinner party conversations and purposefully bad jokes.
By contrast, American artist Matt Mullican examines the circularities of language, conducting performances under hypnosis to vacillate between primal and public speech. Who is it we are watching as Mullican performs in an hypnotic state? How do we interrogate and categorise what is being created?
The book includes video excerpts of Mullican’s first ever performance under hypnosis in Australia (staged in collaboration with Sydney’s National Art School at the iconic Cell Block Theatre, a former nineteenth-century women’s prison) and a selection of Grayson’s scripted compositions, which combine political acuity with dry wit.
Author Wes Hill, having curated Grayson and Mullican in a 2015 exhibition at UTS Gallery, unpacks them further in a fascinating essay on both artists, examining their obsessions with language, performance and the nature of interpretation, which arise in their works to engage and sometimes unsettle viewers.Book Details
During the 12 years of the Nazi regime, a secret program of ‘euthanasia’ was employed against the sick and disabled. More than 300,000 Europeans with disabilities were covertly murdered and their families issued with falsified death certificates. A further 400,000 were deemed by special courts to have ‘hereditary diseases’ and were sterilised against their will.
This aggregate of crimes, now known as Krankenmorde (the murder of the sick), was organised and performed by doctors, nurses, bureaucrats and designated military groups. Many would go on to commit larger scale crimes against humanity in the Holocaust.
From the extraordinary eyewitness account of eight-year-old Elvira Hempel, The First into the Dark reveals a history of the victims, witnesses, opponents to and perpetrators of the Krankenmorde. It presents an accessible analysis of that era within the rise of ‘scientific’ eugenic discourse and traces the implications for contemporary society—moral values and ethical challenges in end of life decisions, reproduction and contemporary genetics, disability and human rights, and in remembrance of and atonement for the past.
Dr Michael Robertson is a consultant psychiatrist, Clinical Associate Professor of Mental Health Ethics at the Sydney Health Ethics centre at the University of Sydney, and a visiting professorial fellow at the Sydney Jewish Museum.
Dr Astrid Ley is a historian and historian of medicine. She is deputy director at Sachsenhausen Concentration Camp Memorial near Berlin.
Dr Edwina Light is a postdoctoral research fellow at the Sydney Health Ethics centre at the University of Sydney, and a visiting fellow at the Sydney Jewish Museum