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  • Voice/Presence/Absence

    Malcolm Angelucci, Chris Caines

    Part of the Media Object Book Series series.
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    Voice/Presence/Absence collects international contributions from academic scholars and practitioners, together with recorded live performances of artists, writers, musicians and poets, creating the space for a discussion on the role of voice in contemporary humanities. Voice/Presence/Absence is conceived as a dialogue: between a variety of interpretive frameworks and definitions of voice; between different objects of study (from contemporary art to post-dramatic theatre, from radio-voices to recorded poetry and audio-books, from pop music to novels, from the voice of trees to the one of birds, etc.) and, most important, between artists, performers and the world of academia.

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    How to cite this book
    Angelucci M. & Caines C. 2014. Voice/Presence/Absence. Sydney: UTS ePRESS. DOI: https://doi.org/10.5130/978-1-86365-431-9
    Angelucci, M. and Caines, C., 2014. Voice/Presence/Absence. Sydney: UTS ePRESS. DOI: https://doi.org/10.5130/978-1-86365-431-9
    Angelucci, Mand C Caines. Voice/presence/absence. UTS ePRESS, 2014. DOI: https://doi.org/10.5130/978-1-86365-431-9
    Angelucci, M., & Caines, C. (2014). Voice/Presence/Absence. Sydney: UTS ePRESS. DOI: https://doi.org/10.5130/978-1-86365-431-9
    Angelucci, Malcolm, and Chris Caines. 2014. Voice/presence/absence. Sydney: UTS ePRESS. DOI: https://doi.org/10.5130/978-1-86365-431-9




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    Additional Information

    Published on Jan. 1, 2014

    Language

    English

    DOI
    https://doi.org/10.5130/978-1-86365-431-9



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